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Wednesday, September 24, 2014

Sculpture and Rest

It's good to take a break from your work, though I'm taking my drawing pad and paints....
I'm off to the mountains at Breitenbush Hot Springs for much needed days of Rest and Rejuvenation.
 

Monday, September 22, 2014

Art and Fears

I don't post long rants because no one on a computer or phone reads a wall of text.

But writer Elizabeth Gilbert's compassionate wake-up call is worth it.
And I want to be able to find and re-read it every time I'm beset by doubts mid-project.


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The other day, a brilliant friend of mine let me read the first draft of a book she's been working on for years. It was wonderful. But that's not what I want to talk about. 

What I want to talk about is what happened AFTER I told her how wonderful her book was. She sent me a long email detailing all her fears about how bad her book actually is, and about how nobody will like it, and that it's overly simplistic, and critics will call it self-indulgent, and that I'm just being polite when I say that it's good.

 (To reiterate, her book is GREAT.)

Normally, I would have responded with a long, tender, compassionate letter — trying to convince her once again of her talents, and of my support and faith in her. But I was tired and in a hurry. So instead, I just wrote the truth.

 I wrote this: 

"Listen, honey — I read through all your anxieties and your fears here. And I just have to say something very bluntly: Your fears about your book aren't very interesting or very original! I can say this with complete authority, because they are exactly the same fears that I have, whenever I am about to release a book into the world. And I know for a fact that my fears are not interesting at all. (Like yours, my fears alway sing this familiar, droning old song: 'Your work is garbage, it will be criticized as self-indulgent, it's too simplistic, it has no value, nobody will buy it, your friends are only being nice to you when they say it's good, you just wasted a whole bunch of time for no good reason, you are done for and washed-up'). "

Moreover, I have it on good authority that these are exactly the same fears that EVERYONE who has ever finished a book (or created anything) feels. In other words, your fears are just regular old mass-produced, made-in-China, sold-at-Walmart fears. Nothing fine or precious or artisanal about them. So don't treat them like they're precious. 

"I realized this about my own fears a few years ago — that they are always exactly the same, and that they are always exactly the same as everyone else's, and therefore they are nothing special and actually just kind of boring. (I want to say to my fears sometimes, "Really? That's the best you can come up with? This old song again? REALLY — you're telling me once again that I'm not good enough? That my work isn't good enough? That's it? That's seriously the best you got, AFTER ALL THESE YEARS? Jeez, get some new material, dude.")

"So now I just come to expect those completely boring and unoriginal fears to show up every time I write anything, and I don't even pay attention to them anymore, because they never have anything new to say. They're just the neighbor's dogs, barking incessantly in the yard next door, blah blah blah. But they never bite. They can never escape the yard. They have no real power. So I just move ahead and do my work. There's that old Bedouin line: 'The dogs bark; the caravan passes anyhow.' Your caravan needs to pass along now on its journey, whether fear barks at you loudly or not. It's time. 

"Because here is what IS interesting and original: This book that you just wrote. And here is what else is interesting and original: Whatever is about to happen in your life next, when you send that book out to publishers. Because god only knows what will happen. Could be good, could be bad. We have no idea. Because the future is a mystery And mysteries — unlike fears — are always interesting. So let's focus on the interesting parts (the creativity and the mystery) and forget about the fear. Time to be stubbornly brave, and dignified in the face of any fate."

So that was my letter, and my friend said it made her laugh (which is good, because I was a little afraid it might make her cry)...and since laughter is good, now I'm sharing the letter with you all. In summation: Your creativity is fascinating, but your fears are not. (Spoken from somebody who REALLY knows what she's talking about — because she has the most boring fears in the world, and she does her work, anyhow.) Now go make your thing. ONWARD,

Elizabeth Gilbert

Monday, September 15, 2014

Sculpture and Bruno Walpoth

"In our valley there is a 400-year-old tradition of wood-sculpting culture. Both my grandfather and my uncle were wood sculptors, and so I grew up with this medium." Bruno Walpoth

It shows. His work is amazing.

Walpoth's figures are very realistic, but also true to their media: wood and their process: direct carving. Look at the pants on the figure below. The direct chisel marks tell you about the wood and suggest denim fabric. The file and rasp marks, the built up layers of the white stain that's been sanded through tell you some of each sculpture's history.


There's beauty in his finishes. The white washed tones down the wood grain and unifies the sculpture. Allowing the grain to still be seen suggest an inner life, both of the figure and of its former life as a tree.






To see more of his sculpture and drawings, visit Bruno Walpoth's website 

Monday, August 25, 2014

Sculpture and Procrastination/Obsession

When and How does procrastination turn into its opposite: Obsession?
After slogging through so many tedious hours on this carving wanting to do ANYthing else,
now I don't want to do ANYthing else but carve.

The work is coming alive, it has a presence. That's the best payback for all those working hours.
It's magic.

I was able to stay late at the studio and see it for the first time at night.....

Monday, August 18, 2014

Sculpture and Visitors and White Gloves

This week brought visitors to the studio, invited and also unexpected.

You think you know how an elbow looks until you have to carve one. It's impossible to use your own because you can't see them! So Wendy volunteered hers for the cause.

 One of the best things about this long project has been working outdoors throughout the seasons.
This lovely green katydid stopped by to smell the cedar.
 It gets really confusing when the wood is many different colors, graphite from my drawn corrections and darkened from the oils off my hands. Time for white cotton gloves!
It's a nice touch of formality in the heat.


Monday, August 11, 2014

Cutting a Rug- Drawing in Concrete

After this project is done, I'm working on short quick sculptures for a while! But why wait?

A friend helped me cut the outline of a rug, complete with fringe into the concrete in front of the studio.
From idea to reality in 45 minutes. A nice quick procrastination and back to carving.

 The result makes me laugh, it's about as conceptual as my art can be. What will the field pattern be?

Wednesday, August 6, 2014

Sculpture and TriMet

The end is in sight, but I'm feeling like a marathoner with miles to go!

I've avoided working any more on her face to focus on her other end.

The legs and feet are hard to carve as the grain and the angle of attack changes with each inch.
Also reverted to power tools to shape her dress. The grinder is nasty but actually gives me better forms faster than chisels. Once the shapes are correct, I'll use the chisels for texture.

video